From the June 29, 2009 issue of The Miami Herald (web / print)
Oftentimes, the greatest hits compilation is a death knell for artists: A sign of withering fame, or a contractual obligation to get off a record label. But for Incubus, Monuments and Melodies is none of the above. Instead, it’s a statement of strength — a logical stopgap before the next studio release. Continue reading
Adrian Ruhi 